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Quotes: Belonging

3 quotes on this theme, each with its source and insight

The quotes

“The place we run toward runs toward us!”

— Ibrahim Nasrallah

Source: Birds of Caution, 1996 (later editions noted, e.g. 2012) · Check the source

Disputed attributionWhat we know
What is documented
The wording is attributed online to Ibrahim Nasrallah and associated with Birds of Caution, but the evidence comes from reader-submitted quotation pages rather than a verified printed passage.
What remains uncertain
No page number, edition or primary-text citation has been located; the quotation is plausibly Nasrallah’s but not independently verified.

The line makes place active: the homeland seems to move toward the person who seeks it. Read against Nasrallah’s Birds of Caution, it reads less like a self-help axiom and more like a poetic claim about memory, exile and the pull of belonging. The syntax turns longing into a lived paradox.

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“I’m nothing, I’m everything,’ he declared. ‘The street is my mother. The sun is my father. What more should I ask of life?”

— Alain Mabanckou

Source: Black Moses (Petit Piment), novel, 2015 · Check the source

Verified attributionWhat we know
What is documented
The passage appears in the novel Black Moses (Petit Piment) by Alain Mabanckou; the attribution to him is verified.
What remains uncertain
Some online records misassigned the line to The Lights of Pointe‑Noire; no stable page image or pagination for the novel’s edition is provided by the research.

The line packs a paradox: claiming both utter insignificance and total belonging. In Black Moses a character substitutes the street and the sun for family, turning exile and poverty into a fierce, elemental identity. The line comes from Mabanckou’s 2015 novel and voices survival and dignity.

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“Life was a journey of discovery, and character was a variable that kept veering left and right in search of the perfect way for a particular day.”

— Moses Isegawa

Source: Abyssinian Chronicles, English trans. Knopf, 2000 · Check the source

Verified attributionWhat we know
What is documented
The line appears in Abyssinian Chronicles as part of the narrator Mugezi’s reflection.
What remains uncertain
Attribution to Isegawa is verified at the work level; the sentence functions as a narrated observation within the novel.

Isegawa frames identity as an ongoing, unstable process: character isn’t fixed but shifts in response to daily pressures. In Abyssinian Chronicles the line, voiced by the narrator, captures how history, family and migration push a person off-course and force constant reorientation.

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